Feminist Film Criticism Essay Example | Topics and Well Written Essays - 2500 words

Feminist Film Criticism - Essay ExampleThe movie stars Zhang Ziyi, as the female booster unit Nitta Sayuri2, who, through a relentless desire to achieve her one and only goal in life3, has make it to the peak of her pursuit to be a geisha girl and eventually to become the mistress of the oki-ya4.The social military post of the geisha is best described as something peculiar to the society of its source. This is so because their situation in the traditional civilization is to some extent considered as indeterminate. This undefined portrayal of a geisha was successfully thin in the film. As manifestly illustrated in the film, a geisha was given an unsurpassed status in the Japanese society. It evidently gave simplyice to the frequently mistaken position of a geisha with respect to their status in the populace. More often than not, a geisha is mistakenly perceived and identified as a prostitute. However, this misconception was effectively dismissed as the film nearly reached its con clusion. The viewers correspondingly learned that a geisha is far more different from a prostitute.Although seen as somewhat rundown, the oki-ya is viewed as a brook having significantly acceptable structure in the society. Comparatively similar to a boarding kinsfolk, oki-ya is where the geisha and the geisha trainees stay and settle. As seen in the movie, a Geisha House is not as terrible and dreaded as that of a brothel tolerate where prostitutes are maintained. Its social structure as traditionally adjudge in the Japanese culture gives a clear view how oki-ya is boldly accepted in the society. one and only(a) becomes a geisha after an extensive training from the time she enters the oki-ya where she eventually turns into an apprentice, serving the mistress of the house by doing the domestic chores. Sayuri entered the oki-ya at the age of nine (9) and started as a servant for the mother of the house and to Hatsumomo5, the only geisha in the house. She was then prepared and tr ained to become a geisha with pumpkin in a training school, learning the arduous arts of a geisha, which include, among others, dance and music down make-up of pale white faces and their enthralling red lips wearing the kimono, pouring sake to reveal just a slight touch of the inner wrist, and the remarkable struggle with jealous rivals for the attention of men of the higher(prenominal) class.As the American anthropologist Dalby stated in her book, a geishas position in the society is unavoidably vague. She wrote (m)arked as a geisha is by both high and low prestige, the Geisha and her place in Japanese culture bear on elusively ambiguous. 172The fundamental role of a geisha is to entertain men in business and politics in Japan. They were trained to function as the very amusing and gracious hostess, usually, in an important gathering which braggart(a) men would throw. An essential part of bringing entertainment is through music and dancing where they show their talents as develo ped by the extensive training they underwent.Each geisha is highly accomplished in particular proposition skills such as playing the koto, dancing or singing, but they all train for years in the more general arts of caring for their guests (or, strictly speaking, clients). Hendry, Taylor and Francis, 201The geisha house or the oki-ya is controlled by